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Human fear of sharks has deep roots. Written works and art from the ancient world contain references to sharks preying on sailors as early as the eighth century B.C.E. Relayed back to land, stories about shark encounters have been embellished and amplified. Together with the fact that from time to time – very rarely – sharks bite humans, people have been primed for centuries to imagine terrifying situations at sea. In 1974, Peter Benchley’s bestselling novel “Jaws” fanned this fear into a wildfire that spread around the world. The book sold more than 5 million copies in the U.S. within a year and was quickly followed by Steven Spielberg’s 1975 movie, which became the highest-grossing film in history at that time. Virtually all audiences embraced the idea, depicted vividly in the movie and its sequels, that sharks were malevolent, vindictive creatures that prowled coastal waters seeking to feed on unsuspecting bathers. But “Jaws”...

It’s an observation as old as humans gathering around campfires: Light at night can draw an erratically circling crowd of insects. In art, music and literature, this spectacle is an enduring metaphor for dangerous but irresistible attractions. And watching their frenetic movements really gives the sense that something is wrong – that instead of finding food and evading predators, these nocturnal pilots are trapped by a light. Sadly, centuries of witnessing what happens have produced little certainty about why it happens. How does a simple light change fast, precise navigators into helpless, flittering captives? We are researchers examining flight, vision and evolution, and we have used high-speed tracking techniques in newly published research to provide an answer. The reason insects fly around light will surprise you. Moths to a flame? Many old explanations for this hypnotic behavior have not fully panned out. An early notion w...